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Samsung’s argument is that most upgrades happen because buyers want improved cameras, and a thicc phone is the price they’ll willingly pay for that. The S20 5G and S20+ 5G have 10-megapixel front cameras, and then a trio of cameras on the back. A 12-megapixel 120-degree ultra-wide (f/2.2); a 12-megapixel wide (f/1.8); and a 64-megapixel telephoto (f/2.0). The S20+ 5G throws in a time-of-flight sensor (ToF) too.
Things get even more serious with the Galaxy S20 Ultra 5G. That has a 40-megapixel selfie camera, and shakes up the rear cameras too. The ultra-wide is the same, but the normal wide camera has a whopping 108-megapixel sensor (f/1.8), while the telephoto is 48-megapixels (f/3.5) with a folded 4x optical zoom lens. That runs sideways across the phone, with clever prisms to reflect the light.
The result is up to 10x lossless zoom, or a fairly ridiculous 100x AI-massaged maximum zoom. Samsung throws in various anti-shake algorithms to try to make that usable, along with a custom camera app UI that shows a zoomed-out preview of where you’re pointing the phone. Without it, it’s honestly tricky to frame.
Even once you’ve captured a shot, it’s hard to see 100x zoom as more than a gimmick. Expect some serious pixelation, despite the AI’s hard work; even if your hand is still, or you have a tripod, any movement by the subject is going to leave things blurry and smeared. That’s despite the S20 Ultra 5G using its ToF sensor not only for AR, like the S20+ 5G, but also to improve its autofocus.
Arguably more interesting is that 108-megapixel main camera. By default it saves 12-megapixel stills, combining clusters of nine pixels to grab three times the amount of light the S10 camera’s could. You can manually switch to full resolution, though – and indeed the phone will prompt you to, if it deems the scene worthy – and capture a massive photo that could be anything up to 45MB in size.
On the video side, you’re looking at up to 8K 24fps recording, plus the ability to do on-device trimming and downscaling to more easily-shared 1080p or other resolutions. It’s possible to grab a 33-megapixel still from that 8K file, too, or just wirelessly cast the whole thing to a nearby 8K QLED TV. Samsung has added direct YouTube upload support, as well as its Link Share and Quick Share features for AirDrop style phone-to-phone transfers.
Super Steady stabilization has been improved, with better low-light performance, and it now handles side to side rolling motions too. It’ll smooth out rocking up to 60-degrees from side to side, and works surprisingly well. There’s a Night Hyperlapse mode now, too, and Video HDR.
As with previous Galaxy phones, camera processing is arguably just as important as hardware. New on the S20 family is Single Take Mode, intended to cut through some of the confusion of all those different sensors and options. It works a little like the auto filters and curated videos that Google Photos and iOS Photos now offer, but in real-time.
Switch to Single Take Mode, and when you hit the capture button it works much like you’re shooting a video. The move you pan around – though not zoom, as it’s locked out in that mode – the more options you’ll get. The S20 will produce up to 10 photos with things like AI Best Moment, Live Focus, filters, and smart crop applied, and up to four Full HD videos with filters and creative adjustments. They might not all look good, but there’s a much bigger chance of getting something worth sharing.
Finally, there’s a new Night Mode. It works as before, capturing multiple images and then combining them into a single 12-megapixel still, but now uses 30 shots for that processing, twice that of the S10. It also taps multi ISO composition, with the S20 able to vary the ISO settings as the photos are being taken, and then integrated them, HDR-style, for the end image.
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